Tag Archives: shoes

The Berluti bespoke shoes workshop

Berluti shoes

LVMH’s “Journées Particulières” were a massive hit this past weekend in Paris. For the second year, the luxury group welcomed the public in its ateliers. When bookings opened a few weeks ago, invitations were gone within minutes. People without one had to queue for 5 long hours at Dior. Today I will tell you about my first visit: the Berluti made-to-measure shoes workshop. Please excuse the poor quality of some of the pictures: cameras were forbidden and security was tight but I did manage to capture some moments!

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Berluti shoes Marbeuf

Berluti shoes models

The Berluti workshop is located in an apartment close to the store in the Champs-Elysées area. The house is renowned for its shoes created entirely by hand: their proportions fit the client’s feet exactly and the designs are personalized according to his wishes. The 12 craftsmen work with an extreme attention to detail, which comes to no surprise when you know that 50 hours are necessary to make a pair of shoes. Be prepared to empty your wallet: prices start at 4,800 €. It’s a luxury Yves Saint Laurent and Andy Warhol indulged in.

Berluti shoes salon

The visit started in the fitting room where the client and the master shoemaker first meet. Both work hand in hand to design the shoe: the shoemaker takes the measurements of the client’s feet and advises him in his choice of design and leather. Berluti owns a wide range of luxurious skins such as crocodile, ostrich, elephant and shagreen.

Berluti shoes ébauchage

After this first meeting, the craftsman carves the wooden lasts with the tool in the picture according to the client’s measurements. The lasts are a base for the whole production process and are then stocked in the archives.

Berluti shoes atelier

The shoemaker then draws the pattern of the design and cuts the leather pieces of the shoe. This material can be embroidered and holes punched with a metallic tool. (Clients often ask for their initials to be visible on their precious shoes.) Over a second meeting, the client tries on a model to make sure he is satisfied with the design and comfort.

Berluti shoes assembly

The assembly is the most technical and lengthy process (30 hours!). The leather top of the shoes is sewn to the soles. This is quite a physical part for the shoemakers’ hands: they were actually wearing lots of bandages to protect them. After the heels are added, the order number and Berluti logo are stamped in the leather. As a final touch, a craftsman applies the patina, creating the Venezia leather the brand is famous for. The shoes are then delivered to the client over a third meeting. In all, it takes 6 to 9 months to create a pair of Berluti shoes.

Berluti shoes patinage

When I left the workshop, I thought I had just witnessed a secret form of haute-couture. Given how luxurious the materials are and how everything is done by hand, I think I might be scared to walk in these shoes for fear of damaging them! In my next post, I will show you around a much more feminine place: the Dior salons on avenue Montaigne. A bientôt!

Berluti shoes atelier detail

Grand succès pour les Journées Particulières de LVMH le weekend dernier ! Le géant du luxe ouvrait les portes de ses ateliers au public et les invitations se sont arrachées sur Internet. Pour ceux qui n’en n’avaient pas, il y avait jusqu’à 5 heures d’attente chez Dior. J’ai eu la chance de me rendre dans ces salons mais c’est mon autre visite que je vais vous raconter aujourd’hui : les ateliers de fabrication des souliers sur mesure Berluti. Les photos étaient interdites alors elles ne sont pas de la meilleure qualité ; cela vous donnera quand même un aperçu !

Les ateliers Berluti sont situés près des Champs-Elysées dans un appartement, à quelques pas de la boutique. La maison est réputée pour ses souliers entièrement faits à la main : les proportions collent exactement à celles du client et les modèles sont personnalisés selon ses souhaits. Les 12 artisans apportent un soin extrême à la fabrication, si bien qu’une paire demande entre 50 et 70 heures de travail. Cette qualité se paie : il vous faudra débourser au moins 4800 € pour vos souliers Berluti. Mais vous aurez le luxe d’avoir le même fournisseur qu’Yves Saint Laurent et Andy Warhol.

La visite a commencé dans le salon où a lieu la première rencontre entre le maître-bottier et le client. Il s’agit d’un véritable travail à 4 mains : le bottier prend les mesures des pieds et conseille le client dans ses choix esthétiques, notamment sur le cuir. Berluti dispose d’une multitude de peaux précieuses : crocodile, autruche, éléphant, galuchat…

Après ce rendez-vous, l’artisan sculpte la forme du pied du client dans du bois avec la machine que vous pouvez voir dans la photo, puis la lisse avec un outil. Cette forme servira de base tout au long de la fabrication et sera conservée dans les archives. Les artisans dessinent ensuite le patron du modèle et découpent les multiples pièces du soulier dans le cuir. Cette matière peut être brodée et travaillée en détail : des perforations sont faites à la main avec un outil en métal. (Les clients demandent souvent que leurs initiales figurent sur leurs précieux souliers.) Lors d’un 2ème rendez-vous, le client essaie une maquette pour valider l’esthétique et évaluer le niveau de confort.

On peut alors passer au montage. C’est l’étape la plus longue (30 heures !) et la plus technique. La partie supérieure en cuir est cousue à semelle avec du fil de lin. Ce travail est assez physique pour la main des artisans : ils portent de nombreux pansements pour les protéger. Après l’ajout des talons, c’est le bichonnage : le numéro de la commande et la marque Berluti sont frappés sur la semelle. Touche finale : le patinage où l’on obtient le cuir Venezia, signature de la maison. Les souliers sont alors livrés au client lors du 3ème rendez-vous qui a lieu 6 à 9 mois après la prise de ses mesures.

Que de travail pour des souliers ! C’est vraiment de la haute-couture des pieds. Mon prochain billet sera dédié à ma visite des salons Dior. A bientôt !

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Schiaparelli and Prada: Impossible Conversations windows at Bergdorf Goodman

The Met gala has come and gone, which means only one thing: there is a major fashion exhibition underway in New York City! After Alexander McQueen Savage Beauty (post here), the venerable institution gives us Schiaparelli and Prada: Impossible Conversations, on show starting today until August 19th 2012. Every year, Bergdorf Goodman designs its 5th Avenue windows as a tribute to the annual Met fashion exhibition. Since you loved my 2011 post on the Alexander McQueen windows, here are the images for 2012 with Prada galore.

The exhibition compares the designs of two iconic Italian women from different eras. Elsa Schiaparelli worked in Paris from the 1920s until 1954. As for Miuccia Prada, she took over her family business in 1978 and is celebrated as one of the most influential designers of our times. Inspired by Vanity Fair’s “Impossible Interviews” from the 1930s, the Met conceived the exhibition as a series of imaginary conversations between both women. The windows are full of quotes sharing striking similarities in their vision of fashion.

Schiaparelli “In order to build more solidly one is sometimes obligated to destroy. One should learn to understand the language of the people, and at the same time help to build a new elegance of manners and clothes, a new aristocracy, fit to co-ordinate with the crude rhythm of modern life.”

Prada “Most of my work is concerned with destroying – or at least deconstructing – conventional ideas of beauty. An important aspect of my work is exploring what beauty means today.”

Prada “I never dress in front of a mirror. I don’t even have a good mirror at home. I prefer to dress to the idea of myself. Reality doesn’t interest me as much.”

Schiaparelli “When you take off your clothes, your personality also undresses and you become quite a different person – more true to yourself and to your real character, more conscious, sometimes more cruel.”

Schiaparelli “A dress cannot hang like a painting on the wall. A dress has no life of its own unless it is worn, and as soon as this happens another personality takes over from you and animates it.”

Schiaparelli “I enjoy creating for the woman who, no matter what her years, wears my clothes with the poise of youth.”

Prada “Women always try to tame themselves as they get older, but the ones who look best are often a bit wilder.”

The last 2 windows are an ode to surrealism with designs from this summer’s Prada collection.

Also featured are the book dedicated to the exhibition and Prada goodies in the smaller windows.

Ah, the shoes. Don’t get me started on the shoes.

Do the Bergdorf windows make you want to hop over a few blocks to the Met? They sure did for me!

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